Hayao Imagawa is a 30 year-old virgin bachelor. One day, a cupid descends from heaven with the express purpose of forcing him to graduate from virginity. Thus unfolds a pure love story between a 30 year-old bachelor and a 30 year-old bachelorette.

A group of uniformed Japanese schoolchildren make their way to class. But what they will be taught when they get there is a subject increasingly under government scrutiny. EDUCATION AND NATIONALISM traces growing government intervention in Japanese history and social science education over the last decade — a process embraced by the late Japanese Prime Minister Shinzo Abe.

A woman in her mid-30s breaks up with her boyfriend of seven years and goes on a journey of self-discovery.

Failed London banker Max Skinner inherits his uncle's vineyard in Provence, where he spent many childhood holidays. Upon his arrival, he meets a woman from California who tells Max she is his long-lost cousin and that the property is hers.

Jon Katz is close to burnout. He's a writer with writer's block; his wife has left for her sister's because he's emotionally distant; he rarely answers his phone. A kennel sends him a border collie that's undisciplined because of abuse. Despite a series of mishaps, Jon decides to keep trying with the dog, and he rents a dilapidated farm house to give the dog room to run. A local handyman refers Jon to a woman who might be able to help him train the dog. Reluctantly, Jon gives her a try. Is the dog the problem, or the owner?

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As the coronavirus pandemic progresses, the overlapping routines of three New Yorkers (Eve Lindley, Emilio Vitolo, Mitzi Akaha) change unexpectedly.

A short experimental work in which a montage of serene images is undermined by the ominous threats of true-crime television shows and a spoken interpretation of the love letters of Mary Kay Letourneau.

As the coronavirus pandemic progresses, the overlapping routines of three New Yorkers (Eve Lindley, Emilio Vitolo, Mitzi Akaha) change unexpectedly.

A short experimental work in which a montage of serene images is undermined by the ominous threats of true-crime television shows and a spoken interpretation of the love letters of Mary Kay Letourneau.